Greatbear have recently worked with the British Stand Up Comedy Archive (BSUCA) to reformat a number of Digital Audio Tapes (DATs) and U-Matic video tapes from their collection. Established in 2013 and based at the University of Kent’s Special Collections, the BSUCA aims ‘to celebrate, preserve, and provide access to the archives and records of… Continue reading British Stand Up Comedy Archive’s audiovisual collections
Tag: Digital Asset Management
Codecs and Wrappers for Digital Video
In the last Greatbear article we quoted sage advice from the International Association of Audiovisual Archivists: ‘Optimal preservation measures are always a compromise between many, often conflicting parameters.’ [1] While this statement is true in general for many different multi-format collections, the issue of compromise and conflicting parameters becomes especially apparent with the preservation of… Continue reading Codecs and Wrappers for Digital Video
Digital preservations, aesthetics and approaches
Digital Preservation 2014, the annual meeting of the National Digital Information Infrastructure and Preservation Program and the National Digital Stewardship Alliance is currently taking place in Washington, DC in the US. The Library of Congress’s digital preservation blog The Signal is a regular reading stop for us, largely because it contains articles and interviews that… Continue reading Digital preservations, aesthetics and approaches
Videokunstarkivet – Norway’s Digital Video Art Archive
We have recently digitised a U-matic video tape of eclectic Norwegian video art from the 1980s. The tape documents a performance by Kjartan Slettemark, an influential Norwegian/ Swedish artist who died in 2008. The tape is the ‘final mix’ of a video performance entitled Chromakey Identity Blue in which Slettemark live mixed several video sources onto… Continue reading Videokunstarkivet – Norway’s Digital Video Art Archive